Rainbowt-shirt - Vintage basketball cy shirt

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Lace is paradoxical: a textile characterized by its open spaces. It performs no strictly utilitarian function; it neither cloaks the Vintage basketball cy shirt in addition I really love this body nor warms it. However, it remained for centuries a highly prized luxury good, with pieces passed down through generations and reworked to suit the latest trends. Across Europe and the Americas, lace—fashioned into ruffs, cuffs, jabots, caps, lappets, and flounces—adorned the bodies and edged the handkerchiefs of the wealthy and powerful, including nobility and church hierarchy. Yet these high-status frills were the result of thousands of hours of labor by anonymous (and largely ill-paid) women, their nimble fingers working piecemeal at home or else for free in orphanages and convents.

“Threads of Power: Lace From the Vintage basketball cy shirt in addition I really love this Textile Museum in St. Gallen,” a fascinating exhibition curated by Emma Cormack, Ilona Kos, and Michele Majer—on view until January 1 at the Bard Graduate Center in Manhattan—offers New Yorkers the first in-depth exploration of this complex and elusive subject in 40 years. More than 150 historic examples of lace—including an 18th-century point de Venise capelet; a 19th-century black Chantilly lace shawl; and an ultrarare frelange, the It headdress for late-17th-century ladies—are on loan from the collection of the Textile Museum of St. Gallen. (Earlier this fall, I visited that beautiful city near the shores of Lake Constance in northeastern Switzerland. A center for textile production since the mid-13th century, it’s home also to a jewel-like Baroque library; the storied 100-year-old Swiss design house Akris; and a trio of manufacturers that are ushering techniques of making lace and embroidery into the 21st century—but more on that later.)

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