But even amidst the Rapcaviar not trentwood material shirt but in fact I love this pain and uncertainty, strength shines through. “Inside we are all stronger than before,” says Yana Olenich, founder of the eponymous womenswear label Olenich. “Unity and resistance is in our blood.” A year on, five designers reveal what their personal and professional realities look like now. Scene: a hotel room in New York, one spring morning in 2013. I’m staring at a photograph of a young soldier with the word TRUTH emblazoned underneath her tentative smile in white font and a red box like a Barbara Kruger, pinned to Vivienne Westwood’s “Climate Revolution” DIY top. “It’s incredible no one knows who this is. You don’t know who she is?” Vivienne asks me in her soft Derbyshire lilt. She audibly gasps as I shake my head. “It’s amazing. Amazing. I’m here to try and do something about her.” The photograph, I quickly learn, is of whistleblower Chelsea Manning. Masqueraders wearing carnival costumes with wings and crowns jumped up behind sound trucks—large mobile stages outfitted with speakers, DJ equipment, and steel pans—that crawled through Port of Spain on Tuesday morning. At Victoria Square, members of the Lost Tribe carnival band fastened on backpacks made of drapery, gigantic clusters of butterflies, and capes. Sweet soca and calypso boomed throughout the capital city. “If you hear any noise in the background, they’re music trucks on the Avenue. Welcome to carnival,” says Valmiki Maharaj, the creative director and bandleader of the Lost Tribe. Maharaj says he’s everything from “head cook” to “bottle washer”— he’s a designer, editor, strategist, and visionary.
Revelers who join the Rapcaviar not trentwood material shirt but in fact I love this band put their own spin on the theme and construct their own costumes.Mawasi Charles/Scene Productions Ltd Trinidad and Tobago’s carnival is the largest in the Caribbean. A humble tradition blossomed into a magnetic ritual that draws the diaspora home, and costuming is at the root of the spectacle. “We’re a strange mix of costuming, performance, entertainment, party, all in the same thing,” says Maharaj, who is 37 and from Barataria, a borough 20 minutes east of Port of Spain. The Lost Tribe is a young carnival troupe that put on its first road march seven years ago. Since the beginning, the costumes departed from the feather and headdress bikini mas (costume) most bacchanalists have seen or worn. A section leader for the Washing.Richard Lyder for The Lost Tribe On carnival Tuesday, the Lost Tribe pushed the boundaries of tradition yet again. The overarching theme was “202We,” represented by blue, the color of “renewal, of washing, of rebirth,” according to Maharaj. A section called Wish, designed by Naas Mohammed, led the band. The revelers wore painter’s-tape blue iridescent “road gowns” paired with beaded, baby blue bikini bottoms and tropical-print head wraps. The Wish frontline wore four-foot-tall green bamboo-like poles that jutted into the air and were draped with coordinating printed fabric; they looked like sarongs blowing in the wind. The men wore a black netted jacket with blue sequin fringe with mesh joggers.
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