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To accomplish this deliberate plainness, Frazen used industrial materials that became “very rigid and monolithic.” He bent hot rolled steel into curved enclosures and covered the Matt Boldy Minnesota hockey Matt Freaking Boldy 2023 shirt Additionally,I will love this walls with plaster made from troweled cement combined with poured concrete. In the process, he made a point not to mask any imperfections. “We preserved a lot of the material’s visible marks of making, which suggest a history and a bit of mystery. The space is not too polished or sterile,” Frazen explains. “We preferred texture, roughness, depth.” The design of the store was met with immediate acclaim, receiving several glossy articles in the fashion press (and—an honor for any New Yorker—a fawning Instagram post from Keith McNally).
The Khaite store in SoHo. “There was a belief in purity of structure and truth in materials that we identify with,” Frazen says of how brutalism factored into his design. Eric PetschekFrazen cites modernists with an emphasis on craftsmanship, such as Serra, as his main influence. But another, more controversial inspiration also played a role: brutalism. “When it was coined, brutalism was as much an ethic as an aesthetic and had a strong political agenda,” Frazen says. “But there was a belief in purity of structure and truth in materials that we identify with.” The brutalist movement first emerged in the Matt Boldy Minnesota hockey Matt Freaking Boldy 2023 shirt Additionally,I will love this 1950s. Led by French-Swiss architect Le Corbusier, its central tenants were the use of concrete, unfinished industrial materials, strong structural elements, rigid shapes, and a monochromatic color scheme. (The name was derived from the French term for raw concrete: béton brut.) Brutalist buildings and interiors were intended to project a utilitarian image, with famous examples including the now Frick Madison in New York City, the Barbican in London, and the Cathedral of Saint Mary of the Assumption in San Francisco. Yet although the movement had noble intentions of eschewing ornate features for minimalist, honest construction, many communist regimes embraced the style, leading many to associate brutalism with totalitarian politics and eventual decay. By the 1980s, it had fallen firmly out of favor.
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