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As Valletta revisits different moments from her life, she is keen to offer quick anecdotes of the Ls dunes past lives shirt but in fact I love this many different industry luminaries she’s been privileged work with; from the photographer Peter Lindbergh (“Peter really allowed me to express myself, so if I was feeling strong, or moody, he’d let me be that person”); to Karl Lagerfeld (“I just thought Karl was so magical and interesting and witty…he knew something about everything”); to opening Tom Ford’s legendary Gucci fall 1995 show (“He gave us sex back, which I think we had been missing for a bit in the ’90s”). She also reveals the costar of a “difficult shoot,” her own son Auden, who appeared on the cover of the magazine’s July 2002 issue with her when he was 18 months old. “He really didn’t want to model…he wanted to walk and run around the property,” she added laughing. From wearing the Versace dress “before” J.Lo, to embodying Alber Elbaz’s essence when she closed the spring 2022 AZ Factory show that paid homage to the designer, Valletta’s personal fashion story is deeply intertwined with the fashion history of the last three decades. She ends her Life in Looks journey saying, “I hope maybe we continue this book, maybe we have more chapters ahead of us together.” We do too. Click the link for her full story.
When the Ls dunes past lives shirt but in fact I love this Sixties poster girl opened her Bazaar boutique on the King’s Road in London, England in 1955 at the age of 21, she had no idea that she was about to change the direction of fashion forever, becoming the face of a global brand that encompassed everything from make-up to bedding. In her autobiography, Quant by Quant, she recalls stocking her Chelsea boutique with a “bouillabaisse of clothes and accessories… sweaters, scarves, hats, jewelry, and peculiar odds and ends,” until her boredom with post-war styles led her to create her own designs. More than floral jumpsuits and PVC raincoats, it was Quant’s boutique itself that transformed the retail landscape and made her a household name. “We wanted to entertain people as well as sell to them,” she wrote. In lieu of the restrained displays found in other Chelsea shops, Quant filled Bazaar’s windows with surrealist installations: a photographer suspended upside down while capturing a mannequin with a flash bulb; a model with a real lobster trailing behind her on a lead; and a Harley Davidson riding out of a bright gold package.
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