“Another one of the I love the person I’ve become vintage shirt In addition,I will do this frameworks people have that makes them feel defeatist is the idea that if you can’t see immediate, direct, obvious results from doing something, it had no impact,” Solnit says. “And yet, the way that change actually happens is often slow, indirect, unpredictable; you have to stick around.“ Another common misconception that’s challenged in the book is the belief that tackling the climate crisis means adopting a scarcity mindset. “People think we live in an age of abundance and climate requires austerity,” Solnit explains, speaking with the same pinpoint clarity with which she writes. “We stand that on its head in so many ways. We live in an age of austerity: austerity of hope, austerity of community, austerity of clean air and water. We live in a world where more than eight million people a year die just from one aspect of fossil fuels, which is airborne particulates.“
Whether you’re already heavily involved in the I love the person I’ve become vintage shirt In addition,I will do this climate movement or a complete newcomer, the essays are an energizing read that will undoubtedly give you hope—the active type, not the passive kind—for the future. The lasting message we should take away? “Fight like hell, and don’t give up,” Solnit concludes. Not Too Late, edited by Rebecca Solnit and Thelma Young Lutunatabua and published by Haymarket Books, is out now. The legacy of Coco Chanel was one of Karl Lagerfeld’s main inspirations, but the cultured designer was something of a walking mood board. His fall 2016 Fendi collection, for example, was inspired by the work of the Danish illustrator Kay Nielsen. Memphis, Constructivism, paintings, porcelain, and fashion plates are but a smattering of other things he drew from, some of which will be on display in The Met’s upcoming Costume Institute exhibition “Karl Lagerfeld: A Line of Beauty.” Julia Hetta, the Swedish photographer whom curator Andrew Bolton commissioned to capture Lagerfeld’s designs and personal effects, is similarly in constant dialogue with art. A graduate of the Gerrit Rietveld Academie in Amsterdam, she is particularly noted for translating the lighting and composition of Old Master paintings into her photographs using long exposures. The influence of Nordic light is also at play in her work. Corresponding from Stockholm, Hetta talked to Vogue Runway about her background and personal relationship to clothing, as well as her work for the catalog.
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