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A lot of the I got an under the table footjob at while eating a meat mountain shirt But I will love this inspiration comes from my studies in Holland but also from my background studying painting. I studied painting and drawing for a quite old-school teacher at an early age in Sweden. He taught me the importance of looking at light and shadows. We drew and painted still lifes for hours and hours, [and] I learned to see how light can sculpt. Later on I discovered the light in paintings, for example, at the Rijksmuseum in Amsterdam. And I have also been inspired by Scandinavian painters such as Vilhelm Hammershøi, who uses the palette of Nordic light in a sublime way. I love his interiors with a figure, often seen from the back. There is such a stillness and quietude to the rooms, and you can look at them for a long time.
My first memory is from the I got an under the table footjob at while eating a meat mountain shirt But I will love this ’80s and early ’90s. I remember that he started to be such a famous person then, sort of building up a persona. He embraced the time and seemed to understand it. I once met him briefly at Colette with my brother who had worked with him. There was such a buzz around him. Still it seemed that he was so very loyal to people he worked with and made them feel they were a part of his team. He seemed like a true gentleman and good at observing people around him.What brief did you receive from the museum? To stay true to my personal style. Andrew Bolton was very open and wanted to hear my opinion and approach to the project. He was just wonderful to work with, so including and inspiring. He reached out to me at an early point of the project, and that made it possible for interesting discussions. Having the time for research and contemplation in a project is worth so much these days. I value it deeply.
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