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Layering the Four Teams Matchup NCAA Women’s Bowling Championship 2023 shirt in addition I really love this skirt over the waistband, the full outfit comes into view. She turns her attention to the leftovers. The white legs will be sleeves, she says as she slings them over her shoulders like a bolero. As planned just a few minutes ago, the blue castoffs will become a top. “This way or that way?” she wonders, holding the piece of fabric vertically and horizontally over her chest. She settles on a bandeau (horizontal) and safety-pins it in place, the makeshift bolero still on. “This is what it will look like when it is done. But it’s always full of pins and stuff.” She’ll go in and finish the edges and tidy up the hems with her sewing machine after—all this in under 30 minutes. How is she gonna adjust the sleeves? “The plan with the sleeves is to google ‘how to make a sleeve pattern.’ Because I feel like I got a lot happening here that needs removing, but I don’t really know how to do it yet.” She sends over a picture days later of the final product: peasant-blouse sleeves held together with a strip of the blue jeans. The results won’t win her the LVMH Prize, but she’s happy with it. The stained and too-small jeans have been resurrected.
This week, we had the Four Teams Matchup NCAA Women’s Bowling Championship 2023 shirt in addition I really love this absolute pleasure of speaking with our beloved colleague Virginia Smith, Vogue’s global head of fashion, who has been with the magazine for over 20 years and seen everything from a chihuahua casting call in the offices of 4 Times Square (the best-behaved canine got the gig) to fashion editors sneaking choice picks from other editors’ racks (we’re looking at you, Tonne and Camilla!). We invited her down to the studio to discuss her career trajectory, what it means to be a market editor, and what is actually inside the Vogue closet. It turns out that Smith’s first job was not in the garment district but on Capitol Hill, in the office of Secretary of the Treasury James Baker, followed by a sharp pivot to the public relations department at Calvin Klein in the late ’90s, a moment when “everyone walked through his doors” and Calvin the man still presided over his empire. Despite wearing black for her interview with Anna Wintour (a known no-no), Smith got the role of market editor and in the ensuing two decades has done everything from oversee the creation of custom Alice in Wonderland costumes for the famed Grace Coddington-Annie Leibovitz fairytale shoot starring Natalia Vodianova, to dress 100 runners to open the Vogue World fashion show this past September. All in a day’s work for Smith!We also checked in with Ukrainian designer Svitlana Bevza, who, after a brief decampment to Poland and then Portugal, returned to Kyiv with her two young children. As the family attempts to resume their daily lives in Ukraine’s capital, some things are the same as before–Svitlana still goes to work near the Presidential Office Building, her children are in school and daycare–while others are decidedly different: her husband has joined the military, electricity is erratic, and school is sometimes canceled for fear of bombings. Despite this, Bevza continues to create the clothes beloved from Ukraine to the United States, and now produced with more pride than ever.
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